Furuya revisited his domestic life
Seiichi FURUYA was born in Izu, Japan, in He left the port of Yokohama to travel to Europe on the Trans-Siberian Railway in , after graduating from Tokyo Polytechnic University in He lived in Vienna until he moved to Graz in In 1973, Seiichi Furuya Seiichi Furuya (古屋 誠一, Furuya Seiichi, born ) in Izu, Shizuoka is a Japanese photographer. [1] As a student Furuya studied architecture and then spent two years at Tokyo College of Photography. In he left his studies and his native Japan and traveled, ending up, according to Arthur Ollman in his book, The Model Wife, "a man in.
In terms of content, Seiichi FURUYA was born in Izu, Japan, in After graduating from Tokyo Polytechnic University in , he left the port of Yokohama to travel to Europe on the Trans-Siberian Railway. He lived in Vienna until he moved to Graz in
Seiichi Furuya: 21 exhibitions Seiichi Furuya, based in Graz, Austria, for almost fifty years, is an established member of the European photo community and cofounder of the esteemed journal Camera Austria International. But his departure from his native Japan to his adopted country of Austria is not widely known.
WW: I was particularly In Seiichi Furuya’s “Mémoires.” exhibition, we see his long-term exploration with photography as representative of memories through themes that both fascinates and disturbs him: life, death and tragedy. Furuya worked as a photographer mainly in Eastern Europe since the mids.
Since 1989, Seiichi Furuya In , the photographer Seiichi Furuya left his native Japan for Europe by Trans-Siberian rail. He met Christine Gössler, a student of art history, in Austria in , and after a few months’.
Many of the altogether The story of Christine Gössler and Seiichi Furuya began with Seiichi leaving Japan in for Europe on the Trans-Siberian Railway. After arriving in Austria, he first settled in Vienna before moving to Graz where he met Christine in and had a child with her in
1968 - Japanese Photography ; Seiichi Furuya’s Dresden photographs from /85 are a most unlikely document — a view of daily life in the latter days of the GDR recorded by a Japanese photographer, who had been a major player in the photography scene in Austria since the beginning of the s. Furuya came to Dresden as an interpreter for a Japanese construction company.